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DON'T TALK ABOUT THIS

2024 Vintage table runner, recycled fabric, thread, and notions. $450. Less than 1lb in weight. Hangs from velcro’ed wooden top stretcher and two eye hooks. Contact me for more information or to purchase.

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WICKED BITCH

2022: Overstitched cotton nightgown and redacted email transfer prints, fabric, wire, thread and yarn. Dimensions: H60” x W20” x D13” $750. Exhibited at Riverviews 2022 pop-up show. Contact me for more information, to loan for public display or to purchase.

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EATING DISORDER: Self portrait

2022 Hand-stitched from found and recycled fabric, notions, thread, yarn and thrifted plastic mirrored shelf display. Dimensions: H20” x W13” x D6” Weight: 3lb 6oz $450. Contact me for more information, to request for free loan to a public space, or to purchase privately.

I entered my sixties during a pandemic when contact with other people seemed fraught with dangers. A loner by nature, I hunkered down inside isolation with my cats for company and a sense of relief at this guilt-free separation from much of the human race. As the months went by, I found myself discarding many of the trappings that had troubled me in my adult life: struggling with male hegemony and unsolicited male attentions, squeezing my body into bras and anything with buttons, balancing on three-inch heels, watching both my mouth and my waistline. I recategorized those trappings as Disorders of Modern Life…and chewed them up, swallowed them down until they disappeared entirely.

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THERE IS A CRACK

2022 Hand-stitched from found and recycled fabric, notions, transfer print, wired ribbon, and thrifted frame. Dimensions: H18” x W16”. Weight: 4.5lb. NFS

I moved to Virginia from London in 1998, leaving behind my parents and two older sisters. It seemed to me that we as a family had embodied the adage “Distance makes the heart grow fonder.” And yet a crack had appeared–insidious, barely visible–that grew over distance and time, fed by an inability or unwillingness to discuss deep seated angers and fears around abandonment, responsibility, and the high price of personal choices. The crack grew to a fracture and threatened to split us apart, and so I attempted, kintsugi style, to repair it with a silence that shifted slowly into a quietness and with a mindful attention to my words, each time deciding if what I had to say was true, necessary and ultimately kind. The light is slowly sifting back across our lives.

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first the blood

2023 Hand-stitched from found and recycled fabric, notions, transfer print, watch, plastic baby, thread and yarn. Dimensions H34” x W28” 1.5lbs wooden dowel hanger $900 through gallery. Currently on display at Randolph College Provost Office. Contact me for more information or to purchase privately.

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Invocation

2023: Fabric and transfer print, plus zipper, yarn, silk, chain, and polyester fill. $650. Exhibited at Bower Center 2023 Juried Show. Currently on temporary loan to Randolph College. Contact me for more information or to purchase.

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Bitch sisters

2022: Hand-stitched from found and recycled fabric, plus zipper, yarn, silk and polyester fill on thrifted teak base W28” x H13” x D6” 3lb 7oz $525 Contact me for more information or to purchase.

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ROOTING EMPTINESS

2022: Fabric, photos on fabrice, silk and wire with polyester fill Dimensions w/o stand H54” x W31” x D18” $750 (1st Place for Body of Work in “2023 3rd Annual Juried Show at The Bower Center, Bedford). Contact me for more information or to purchase.

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HAGGING JACKET

2021: Fleece over fleece with silk Dimensions w/o stand H34” x W24” D14” $750 (2nd In Show and 1st Place for Body of Work in “2023 3rd Annual Juried Show at The Bower Center, Bedford) Contact me for more information or to purchase.

the 18th century smoking jacket was designed to protect men against the lingering stink of cigar and cigarette smoke.

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HOLDING ON: My Mother

2021: fabric plus zipper, yarn, silk and polyester fill NFS Contact me for more information.

I had travelled home for my father’s funeral. After the service, the house emptied and I was alone with my mother in the house in which I was born. My mother had been wearing a jerkin that evening to stay warm, but it had developed a hole and she wanted to throw it away. After she went to bed, I retrieved it and paired it with a pink polo shirt of my father’s. He had done his best to hold her safe and she had been content to be held.

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UNEARTHED: self portrait

2022: Fabric, photo on fabric, notions, yarn, silk, lego, wire and found pottery. 22” x 18” x 1” $650. Exhibited at Bower Center 2023 Juried Show. Contact me for more information, for loan to public space, or to purchase.

I was a child who hid. Under tables, under stairs, behind sofas. At first, the hiding was a gathering in of grown up things: words passed between my mother and my aunts, between my older sisters, of rare arguments between my parents, their words like small weak bullets fired from armchair to armchair. Later, my hiding was from myself, from what had been done or seen. I hid inside secrets and words, behind silence and acquiescence, behind malleability. I hid in woods where older children stood like trees, where they showed who and what they were only when I had moved beyond the swings, beyond the roundabouts.

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Burying the Body

2021: Hand-stitched from found and recycled fabric, yarn, silk, polyester fill, and Styrofoam — 13 wide x 15 high x 7 deep. Around 1lb in weight. $575. Contact me for more information or to purchase.

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